{"id":11679,"date":"2025-01-28T14:09:00","date_gmt":"2025-01-28T14:09:00","guid":{"rendered":"https:\/\/dejan.au\/index.php\/2025\/01\/28\/eiichiro-oda-explains-his-new-anime-monsters-story-dexerto\/"},"modified":"2025-01-28T14:09:00","modified_gmt":"2025-01-28T14:09:00","slug":"eiichiro-oda-explains-his-new-anime-monsters-story-dexerto","status":"publish","type":"post","link":"https:\/\/dejan.au\/index.php\/2025\/01\/28\/eiichiro-oda-explains-his-new-anime-monsters-story-dexerto\/","title":{"rendered":"Eiichiro Oda explains his new anime Monsters\u2019 story &#8211; Dexerto"},"content":{"rendered":"<p>Eiichiro Oda explains his new anime Monsters\u2019 story NetflixMonsters has been creating quite a buzz with the Netflix anime adaptation \u2013 so here\u2019s how Eiichiro Oda describes the story. Before One Piece\u2019s manga debut, Eiichiro Oda released a series of one-shots. These were later compiled in the \u201cWanted!\u201d volume featuring five side stories. One of those stories follows the legendary swordsman Ryuma, who lived around 400 years ago and whose legend is still popular in the land of Wano. Titled \u201cMonsters: 103 Mercies Dragon Damnation,\u201d it is an original net animation that was announced in July 2023. The anime is all set for its premiere in January 2024. Sunghoo Park, the director of Jujutsu Kaisen Season 1, is directing the anime. E&#038;H Production, the studio behind Monsters anime is established by director Park. Following his work in Jujutsu Kaisen, Sunghoo Park is famous for his attention to detail. Eiichiro Oda explains Monsters story in the manga In an extra panel at the end of the one-shot, Eiichiro Oda explains the reason behind the title. He explained: \u201cA dragon-slaying manga, Monsters. I kinda forced the title when I made this manga. I mean, when I drew this, I was in the mood for titles with \u2018ters\u2019 ending a lot. Something like \u2018Drifters\u2019 \u2018Southern All Stars\u2019 or \u2018Grift-ers\u2019 and \u2018Mobsters\u2019 from movies. I really wanted to have a title like that, so when I decided on the basic storyline, I thought: \u2018Ah, there will be a dragon and a bunch of strong guys. They\u2019re all like monsters. That\u2019s it: Monsters!&#8217;\u201d In the next point, he added: \u201cNow for the story. The story revolved around the fact that I simply wanted to draw something like a dragon being slayed in a double-page spread. I also wanted to draw something about a clash between a rough Samurai and a noble knight. \u201cIf I use cooking as an example, it would be something like eating a home-made samurai\u2019s miso and a medieval knight\u2019s marinade flavored by a cowboy film with a side of \u2018dragon soup\u2019 and a bottle of refreshing \u2018chivalry rose\u2019\u2026 \u2018How is your dinner?\u2019 \u2018Lovely, chef, it tastes very acrobatic.\u2019 \u2018Thanks madam.&#8217;\u201d Lastly, Oda shared that he drew the Monsters manga as a 19-year-old. \u201cI drew this when I just finished my job as an assistant to Kaidani Shinobu-sensei, and started to help Tokuhiro Masaya-sensei\u2019s \u2018Jungle no Ouja Taa-chan,&#8217;\u201d he recalled. \u201cI can never forget; I was 19 and that was during\u2026 s-summer? Eh\u2026 fall? \u2026 Spring? Hrmm? Maybe summer? G-guts? Ah, I want to eat guts hotpot.\u201d Monsters will premiere on Netflix on January 21, 2024. As per Netflix, it\u2019s official synopsis reads, \u201cA Samurai\u2019s path leads him to a waitress whose hometown was destroyed by a dragon. He doesn\u2019t want any trouble \u2013 but it finds them anyway.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eiichiro Oda explains his new anime Monsters\u2019 story NetflixMonsters has been creating quite a buzz with the Netflix anime adaptation \u2013 so here\u2019s how Eiichiro Oda describes the story. Before One Piece\u2019s manga debut, Eiichiro Oda released a series of one-shots. These were later compiled in the \u201cWanted!\u201d volume featuring five side stories. One of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11679","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/posts\/11679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/comments?post=11679"}],"version-history":[{"count":0,"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/posts\/11679\/revisions"}],"wp:attachment":[{"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/media?parent=11679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/categories?post=11679"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/tags?post=11679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}