{"id":21818,"date":"2025-01-28T14:42:24","date_gmt":"2025-01-28T14:42:24","guid":{"rendered":"https:\/\/dejan.au\/index.php\/2025\/01\/28\/caster-speaks-out-about-g-loots-late-payments-despite-56m-investment-dexerto\/"},"modified":"2025-01-28T14:42:24","modified_gmt":"2025-01-28T14:42:24","slug":"caster-speaks-out-about-g-loots-late-payments-despite-56m-investment-dexerto","status":"publish","type":"post","link":"https:\/\/dejan.au\/index.php\/2025\/01\/28\/caster-speaks-out-about-g-loots-late-payments-despite-56m-investment-dexerto\/","title":{"rendered":"Caster speaks out about G-Loot\u2019s late payments despite $56m investment &#8211; Dexerto"},"content":{"rendered":"<p>Caster speaks out about G-Loot\u2019s late payments despite $56m investment DreamHack\/G-LootMark \u2018Boq\u2019 Wilson, an esports commentator, has spoken out against tournament organizer G-Loot due to alleged late payments. Over July 3-5, G-Loot operated the Trovo Challenge \u2014 a $10,000 event for Riot Games\u2019 new shooter Valorant \u2014 on behalf of the live streaming platform. For the North American arm of the competition, Boq was hired to cast alongside Leigh \u2018Deman\u2019 Smith, Alex \u2018Vansilli\u2019 Nguyen, and David \u2018SIMO\u2019 Rabinovitch. Weeks after the event wrapped up, complaints were posted on Twitter regarding G-Loot\u2019s tardiness in paying for the work fulfilled. Dexerto learned that the casters agreed on a Net 60 payment term, meaning they should be paid within 60 days of fulfilling their duties. G-Loot don\u2019t appear to be short of cash, having raised an investment what they describe as \u201cone of the largest esports fundraisers globally\u201d of $56m in October 2020. While this is indeed after the event, in which it\u2019s possible they didn\u2019t have a lot of money prior to securing the investment, they\u2019re now looking to grow their player base and optimize their service. Players and casters are still allegedly going unpaid despite said agreements, however. Vansilli publicly revealed that he invoiced the tournament organizer on July 9 and was clearly disgruntled on October 1 when sharing that he was yet to be paid. They stated that he may have to wait until October 23 to receive payment, which is weeks after the agreed term. Havent heard from @trovolive or @GlobalLoot \/ @GLLValorant in 6 days so here&#8217;s another pain point: They say that the CFO has to approve the payment to pay me in October\u2026but didnt the CFO already sign out on this budget for July since you offered me the rate? pic.twitter.com\/yLHoyviTP1 \u2014 Vansilli (@Vansilli) October 1, 2020 Vansilli confirmed to Dexerto at the beginning of November that the payment had finally been sent, but that\u2019s still not the case for Boq. As of November 25, he has been waiting for 143 days to be paid. He spoke with Dexerto about his experience with G-Loot, the struggles of trying to get the money that\u2019s owed to him, and the typical circumstances casters have to operate within to get hired for events. The Payment Challenge \u201cMy experience with G-Loot has almost been no experience,\u201d Boq told Dexerto. \u201cThey\u2019ve been quiet, unresponsive, and unwilling to work with us to get things resolved. Everything has been on their timetable, not ours. They were very sporadic with responses, an email would come once every 20 or so days and they\u2019d point out an issue then we\u2019d hear from them again 20 days later. \u201cIt\u2019s clear that they don\u2019t really value talent; forcing us to jump through hoops and giving us crazy dates, far in advance, that related to funding rounds and giving us the run around in general. I am still actively pursuing payment. I\u2019ve given them everything that I was told was needed and they said payment was going to be sent.\u201d One of the major problems across many esports titles, from the top tier of competition down to amateur events, is the loose use of contracts for broadcast talent. Agreements are made through platforms like Twitter and Discord, with talent being reluctant to request for arrangements to be made official for fear of seeming \u2018difficult to work with\u2019 and potentially losing out on future opportunities. \u201cLike many situations, I did not receive a contract,\u201d he said. \u201cIt\u2019s pretty common that I don\u2019t get a contract for an event and if I do, I\u2019m actually blown away by the preparedness of the talent manager. I\u2019ve signed contracts after an event has concluded and had to wait on contracts to send invoices before. It\u2019s definitely common that I don\u2019t get a contract, it\u2019s all verbal or a Twitter DM. Once the flight is booked for a LAN event at least there\u2019s a guarantee, but online there are no guarantees.\u201d Reminder that its been 141 days since @trovolive Challenge ended and @GlobalLoot still hasn&#8217;t paid me for casting. Net180, the new esports standard. \u2014 Mark &#8216;Boq&#8217; Wilson (@boqcasts) November 23, 2020 There\u2019s an emerging topic among freelancers in esports regarding the application of late fees to invoices, theoretically deterring tournament organizers from either paying late or not at all by charging them extra for any delay. As of now, there are often no repercussions for such actions and that again is due to the leverage these companies possess according to Boq. \u201cIt\u2019s hard for talent to enforce late fees because the concern is that they just won\u2019t use you again in the future, they\u2019ll be frustrated because you\u2019ve enforced a rule,\u201d he said. \u201cWe don\u2019t have as much leverage or power as them. There are a million casters out there who all want to work and get these gigs so it doesn\u2019t matter how large your brand is, ultimately you can easily damage your name beyond repair. The smaller your name is, the easier that is to do. \u201cTournament organizers have this tremendous power over some of the smaller names in broadcasting because they don\u2019t have the leverage to get the payment that they\u2019re due. This happens constantly when you look at Tier 2 or 3 scenes and in collegiate and high school when tournament organizers pay late, or at all, and the only option that these people have is to go public. On why he has chosen to speak out against G-Loot, and why a better system with increased accountability for all parties needs to be put in place, the caster explained that this is more than wanting money \u2014 it makes esports a worse place and damages the industry as a whole. \u201cIt destroys the ecosystem that\u2019s in place,\u201d said Boq. \u201cIt\u2019s important that we don\u2019t allow tournament organizers that practice those behaviors to continue to survive because the ones that don\u2019t are competing against them and sometimes losing. I hate to see companies that raise millions of dollars because I know they can crush a lot of the competition, some who actually do pay their talent but perhaps don\u2019t have the same budget so they can\u2019t increase their exposure with better hires.\u201d While other broadcast talent may now have been paid for their work on the event, that is not the case for Boq. Who knows if there are others out there across titles and tournament organizers that don\u2019t feel as if they can speak up and still get hired going forward? Dexerto has contacted G-Loot for comment.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caster speaks out about G-Loot\u2019s late payments despite $56m investment DreamHack\/G-LootMark \u2018Boq\u2019 Wilson, an esports commentator, has spoken out against tournament organizer G-Loot due to alleged late payments. Over July 3-5, G-Loot operated the Trovo Challenge \u2014 a $10,000 event for Riot Games\u2019 new shooter Valorant \u2014 on behalf of the live streaming platform. For [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-21818","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/posts\/21818","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/comments?post=21818"}],"version-history":[{"count":0,"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/posts\/21818\/revisions"}],"wp:attachment":[{"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/media?parent=21818"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/categories?post=21818"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dejan.au\/index.php\/wp-json\/wp\/v2\/tags?post=21818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}